The importance of trust in development-led archaeology

I was invited to prepare an article about our work on the Archaeology Audience Network (AAN) for the Council for British Archaeology Yorkshire’s journal FORUM. The article was published recently, and the journal’s editors were kind enough to allow me to post an open copy to my blog (thank you for your support Deborah!). If you’re interested in the AAN, the challenges we’ve faced, and some reflections on what it all means for contract (development-led) archaeology in the UK, please check it out here.

SaraPerry_AAN_FINAL_PUBLISHEDDownload

The Heritage Fund has kindly granted an extension to our work, meaning that we will be running a few more activities across the coming months. Please keep your eyes peeled for information on these activities, and the resources we will be publishing in the Autumn.

Thank you for reading!

Everyday diplomacy

Working in heritage is an outward-facing professional venture. For this reason, I think it’s important to enable those who are studying it to experiment with connecting to the larger world beyond the classroom. As we did in 2016 (see articles here), then, this year my Masters students and I have tested medium.com as a forum for sharing our ideas more broadly.

I have discussed the nature of and rationale for this task in my own piece on Medium about Everyday Diplomacy. And below I provide links to each of the students’ articles in turn. I hope you might take the time to read, think about, share and perhaps also comment upon these excellent pieces of work.

360 exhibit — A vision for the future or a failure for museums? by Eva Heimpel, Amy Wright, Andrew Jarvis, Eleri Newman, Georgina Bois, and Angeliki Tzouganatou: a fantastic critical review of the concept of the virtual museum and its application by Google Arts and Culture in its ‘virtual Natural History museum’.

Stories Shaped by Space: Star Carr in the Yorkshire Museum by Mariko Abe, Sophia Mirashrafi, Thomas Hodgson, Anne-Marie Heuck and Sarah Mctiernan: a fascinating review of the Star Carr exhibition at the local Yorkshire Museum with especial attention paid to the effect space has on engagement with, and appreciation of, the displays.

The Scarborough Castle Diaries by Rachel Bateson, Yishan Chen, Aleen Stanton, Tom Reed, and Ryanna Coleman: five different takes on a visit to Scarborough Castle, prompting critical reflections on the social and emotional nature of one’s engagement with heritage.

Five Senses in the Georgian Era: A Sugar Trip by Kirsty Wilson, Pardis Zahedi, Dion Rice, Jennifer Cooke, and Greg Judges: an evocative proposal for a new multi-sensory exhibition at York’s Fairfax House looking at the entanglement of sugar production, York’s sweets industry, and the trans-Atlantic slave trade.

Bodies on Display by Ashley Fisher, Fiona Gibson, Nathan Bishop, Vivienne Cooling, Luke Towers, and Rachael Nicholson: a critical consideration of the varied forms of displaying human remains at cultural sites & their numerous ethical implications.

Exploring alternative narratives in York. The villains are about, come and seek them out! by Jessica Western, Lydia Loopesko, Lexi Baker, William Egan, Joseph Perry and Sophie Farmer: at once an exploration of some of York’s untold histories, as well as a proposal for a new visitor experience around the city, this article introduces us to alternative narratives that might help us rethink our understandings of York.

York Castle Museum — Kirkgate: Costumed Vs. Written interpretation by Naomi Swain, Chien-Jyun Chiou, Ruth Yoxon, Henry Weeds, Kirsty Ryder, and Lauren Shelton: an overview of the successes and failures of costumed interpretation & other ‘immersive’ displays in the York Castle Museum.

Keen on digital media applications? Seeking reviewers!

I’m very excited to announce that the Society for American Archaeology‘s (SAA) journal Advances in Archaeological Practice has recently launched a new section to appear in all future issues of the publication. We’re calling this section “Digital Reviews”.

You can read more about these Digital Reviews here (via the journal’s online presence) or on my academia.edu profile. The reviews will be short, critical commentaries on digital media produced for archaeology and heritage audiences. By digital media, I mean any computer-based communication form meant to engage wide groups of people. These could include YouTube videos, podcasts, Snapchat or Facebook or Instagram or Twitter sites, subReddits, TED talks, apps, video-games, blogs and other online forums, digital TV programmes or news channels, online collections, virtual museums, SoundCloud accounts or other audio files delivered through digital means. Effectively any kind of digital communication platform that’s been deployed in the name of archaeology / heritage is open to review.

The intent of these reviews is to critically evaluate archaeologically-themed media with the same rigour as we apply to book reviews. We’re following a model akin to the reviews section of Internet Archaeology, with a concern for the full range of media being produced for public audiences about heritage/archaeology. Every issue will focus on a specific type of media: August’s Advances will feature a review of Minecraft applications at heritage institutions by Eleanor Styles; November’s Advances attends to online news reporting about archaeology, authored by Adrian Maldonado.

We are in the fortunate position of being able to offer authors a payment for their contributions – to be distributed upon final publication of the review in the journal. We’ve established a flat-rate fee for authors, so please approach me if you’d like more detail.

Following publication in the journal, authors can upload an openly-accessible copy of their reviews on their own webpages or other online profile (with credit to Advances in Archaeological Practice as the original publication venue). And we are amenable to any and all suggestions about types of digital media to review. I’m particularly keen to see a selection of impactful heritage-themed blogs, e-books, online collections, virtual museums, YouTube (or other) videos, podcasts (or other audio products), and mobile apps subject to critical reflection through Digital Reviews.

I’ve reprinted our author specifications, as outlined on the SAA’s webpage, below. As I’m now the Digital Reviews Editor for the journal, please contact me if you’re interested in writing a review, if you’d like to talk through possible review subjects, or if you know of others who we might approach to prepare future reviews. Very much looking forward to reading your reflections on archaeology’s various digital applications and otherwise building the presence of the SAA’s Advances in Archaeological Practice journal. I hope to hear from you!

Digital Reviews

Digital Reviews are 1500-2000 word assessments of digital media applications that have been produced to engage general and specialist audiences with archaeology and heritage. Going beyond standard book or exhibition reviews, these commentaries are intended to subject current initiatives directed at archaeology’s digitally-savvy publics to comparison and critical reflection. They might explore discipline-relevant blogs, YouTube videos, virtual reality or augmented reality applications, TED talks, Tumblr, Facebook, Instagram or Snapchat sites, web-based crowdsourcing projects, online collections, video games, virtual worlds or other media of interest to wide markets. Review authors will provide constructive, professional and courteous – yet critically-engaged – appraisals of the content, significance and impact of these media. Each review should be oriented around a discussion of one, two or three medium-specific digital initiatives (e.g., mobile apps or virtual museums), briefly summarizing them, contextualizing them against one another (and against related initiatives), and offering thoughtful critique of their presentation, methods, objectives and emotional, physical and intellectual effects upon audiences.

Reviews should be written for a wide readership and at a level that high school students can comprehend. Authors are encouraged to reprint their reviews on their personal or professional webpages (giving clear acknowledgment to Advances in Archaeological Practice as the original publication venue), in order to broaden the reach and accessibility of the commentary. Reviews should (1) rigorously evaluate archaeology’s digital media; (2) showcase to readers the breadth and depth of relevant digital media production today; and (3) provide a space of comparison between – and critical engagement with – such productions to enable others to build upon them.